Trinity - 9'4'' x 11'9''

$2,540.00

Vintage Overdyed Turkish Isparta Rug

9'4'' x 11'9'' | 284 cm x 358 cm

OVERVIEW

A 1960s Isparta rug, transformed through overdyeing. Charcoal and slate blue dominate, with muted olive showing in the undertones. The original floral pattern sits beneath the surface, softened to near invisibility by the dye. The result reads calm and unified, with subtle shifts in tone providing the main visual interest.

COLORS & DETAILS

Charcoal forms the foundation, transitioning to slate blue in areas where the dye settled to varying intensities. Muted olive appears as an undertone, most visible where light hits the surface at an angle. The border maintains the same color relationships as the field, creating continuity rather than contrast.

Faint floral traces remain visible when you look closely. The overdye process left them as suggestions rather than defined forms. The pattern exists as texture, contributing to the surface quality without organizing the visual field into distinct zones.

PHOTOGRAPHY NOTE

We aim to show each rug as it truly is. Studio lighting helps capture the rug's real look, while photos taken in natural sunlight may show warmer tones. We never use digital editing or enhancements.

CONDITION

This vintage rug has been professionally cleaned to keep its unique character. When it arrives, we suggest letting it air out and, if you can, placing it in sunlight for a few hours. This helps the natural wool adjust to your space.

SHIPPING & ASSISTANCE

Vintage Overdyed Turkish Isparta Rug

9'4'' x 11'9'' | 284 cm x 358 cm

OVERVIEW

A 1960s Isparta rug, transformed through overdyeing. Charcoal and slate blue dominate, with muted olive showing in the undertones. The original floral pattern sits beneath the surface, softened to near invisibility by the dye. The result reads calm and unified, with subtle shifts in tone providing the main visual interest.

COLORS & DETAILS

Charcoal forms the foundation, transitioning to slate blue in areas where the dye settled to varying intensities. Muted olive appears as an undertone, most visible where light hits the surface at an angle. The border maintains the same color relationships as the field, creating continuity rather than contrast.

Faint floral traces remain visible when you look closely. The overdye process left them as suggestions rather than defined forms. The pattern exists as texture, contributing to the surface quality without organizing the visual field into distinct zones.

PHOTOGRAPHY NOTE

We aim to show each rug as it truly is. Studio lighting helps capture the rug's real look, while photos taken in natural sunlight may show warmer tones. We never use digital editing or enhancements.

CONDITION

This vintage rug has been professionally cleaned to keep its unique character. When it arrives, we suggest letting it air out and, if you can, placing it in sunlight for a few hours. This helps the natural wool adjust to your space.

SHIPPING & ASSISTANCE

Heritage and Craftsmanship

Isparta emerged as a weaving center in the early 20th century, positioned between the established traditions of Oushak and the developing carpet industry serving Western markets. By the 1960s, workshops in the region produced rugs that borrowed design elements from both Persian and Turkish traditions, often working with patterns that combined floral motifs with geometric structure.

The overdyeing process applied to this rug happened decades after its initial weaving. The technique became widespread in the 1990s and 2000s as a way to modernize vintage rugs for contemporary interiors. Isparta rugs, with their relatively dense weave and durable wool, responded well to the immersion dyeing process.

The charcoal and slate tones seen here represent typical color choices for overdyed rugs intended for urban markets. These darker palettes masked wear patterns and uneven fading while creating surfaces that worked in minimalist or industrial-style interiors.

Design Elements

The allover pattern beneath the overdye would have originally featured regularly spaced floral motifs, typical of mid-century Isparta production. The dye saturation reduced these to shadows, visible primarily through variations in texture rather than color.

This abstraction changes how the rug functions visually. Instead of reading as a decorated surface with distinct pattern elements, it presents as a textured monolith. The tonal shifts from charcoal to slate blue create movement without fragmenting the field.

The border frame remains legible as a structural element but doesn't interrupt the visual flow. The dye process unified it with the field enough that the rug maintains continuity from edge to edge.

Placement

At nine by nearly twelve feet, this works in living rooms where you want to anchor a seating area with substantial coverage. The dimensions suit dining rooms with tables that seat six to eight comfortably. Bedrooms can accommodate this size with the rug extending beyond the bed on three sides.

The dark palette functions well in spaces with significant natural light, where the tonal variations become more apparent. Contemporary interiors appreciate the lack of competing pattern. The charcoal and slate tones also work in transitional settings where you need something substantial without strong color commitment.

Care Recommendations

To preserve the rug's beauty:

  • Rotate periodically for even wear

  • Vacuum regularly using a suction-only setting

  • Address spills immediately by blotting, never rubbing

  • Professional cleaning recommended annually

  • Avoid direct sunlight to maintain color integrity

Isparta weavers adapted their work to changing markets for over a century; this rug adapted one more time.